Afrobella: When Is Nude Not Nude?

Friday, June 5th, 2009
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In 1962 Crayola changed the name of their “Flesh” crayon to “Peach”, out of respect for the then-burgeoning civil rights movement. The crayon company’s cultural sensitivity memo apparently never trickled down to some typically female-oriented industries. You can hit up any department store and find an array of foundation garments labelled “nude.” But if your skin color is anything darker than beige, you’re fresh outta luck for finding a pair of control panties that exactly match you. And the same thing goes for makeup. Most specifically, lipstick.

As spring turns to summer every year, the magazines all start sounding the trumpet. Nude makeup is back! Get that hot nude look!

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And with reason — it makes for a very glam, very feminine, eternally fresh look. When done right, a nude lip doesn’t make you look washed out or corpse-like, au contraire. A smokey eye and a nude lip, so timeless, so gorgeous.

But guess what — nude isn’t a universal shade (according to my experience, at any rate. The Sephora bloggers have been convinced otherwise . I’ll have to do some research and get back to you on that one).

Lipsticks called “nude” frequently look just plain crazy on me. Consider some of the hottest options available online. Yves Saint Laurent Sparkling Touch For Lips in Sparkling Nude would be too pink, Philosophy Big Mouth lip sheer in nude, too peach. L’Oreal Endless Kissable Lipcolor in Shamelessly Nude 870 is too light, and I don’t know whose skintone Maybelline Moisture Extreme Lipstick in Nude Blush is supposed to match. Even my palest friends might have a hard time with a pink that wan and opaque.

The point is, the typical nude probably isn’t my nude. And most of the time, the products called “nude” are made for a very limited and narrow-minded perspective of what “nude” is. Does that mean that the look doesn’t work for women of color? No siree — it just means you gotta look a little harder for the right nude for you.
The perfect nude should match your skin tone almost perfectly, covering over any slight discoloration your lips may have. A touch of shimmer or gloss amps up the look, but subtle beauty is the watchword. How can you tell that you’ve found your perfect nude? If you try it on the back of your hand, it should almost completely disappear, leaving only slight, pretty shine to let you know where it is.

The perfect “nude” lippie for a brown skinned bella might be a warm rose pink, it might be bronze, it might even be a plum or berry, or a deep, fabulous brown. Valana Minerals Sweet Spice collection has a gorgeous range of deep browns that could work wonderfully for my dark skinned bellas. Cordial Spice is a deep berry, and Nutmeg Spice is deep, dark, delicious brown with gold highlights. Layered under some Carol’s Daughter Candy Paint Lip Gloss in Bubbling Brown Sugar — oh, honey. Don’t hurt ‘em!

Philosophy the supernatural lip gloss in neutral is a great, very universal slightly-sheer warm pinky-brown lipgloss that would work great for many brown skinned bellas.

The standout nude lipstick for me is Cover Girl Queen Collection in Shiny Cinnamon. It’s a warm, creamy pinky brown that is incredibly subtle and stunning on me. When I put it on, I feel liberated to go with really bold eye makeup — a nude lip sets off bangin’ eye drama like nothing else. I love this look for outdoorsy days – it’s very clean, very fresh, and it goes perfectly with my happy spring wardrobe!

Do you rock the nude look, bellas? Or have you not found your perfect shade yet?

This post originally appeared on Afrobella’s blog.

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Music News You Can Use: Chris Brown and Rihanna; Plus, Run DMC Respected

Friday, June 5th, 2009
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“Dude should come clean and tell the truth” … That’s what Jump Smokers say in effort to make moolah from the Brown/Rihanna hoopla in their latest song “My Flow So Tight (Anti-Breezy).” According to the Jump Smokers’ official Web site, part of the proceeds of the unflattering Breezy track will be going to “various organizations for battered women.” Mmkay, if that’s what you say.

On the other side of the respectable spectrum … New York hip hop legends Run DMC, along with Metallica and Jeff Beck, are the latest to be inducted into the Rock and Roll Hall of Fame. Only the second hip hop act to received the achievement (Grand Master Flash and The Furious Five were first), Run DMC was honored by a speech from contemporary rapper Eminem, stating the rappers “grabbed hold of my ears and changed my life.”

FOB join another scene, the political one … Scenester band Fall Out Boy pulled another in-crowd during the launch of the “Believers Never Die, Part Deux” tour in Mesa, Arizona Friday night. Dressed in suits, Donald Trump wigs, and black eyes, the band made a decent attempt to put corporate America on blast for their recent bust for wrongdoings. Needless to say, the getup didn’t last long, as they followed the rest of the night in their typical skinny jeans and guyliner. Gag.

Guess who’s back … Lauryn…Lauryn Hill, is that you? It is! Ms. Hill will be one out of 1,000 artists performing at Europe’s prestigious Montreux Jazz Festival in the Swiss Stravinski Auditorium. She will be joining Dianne Reeves, Lizz Wright, and Angelique Kidjo for an all-out tribute to soulful jazz legend Nina Simone. The festival, which stretches from July 3-18, will also feature artists like BB King, Black Eyed Peas, and Herbie Hancock.

Music News You Can Use: Summer Treats

Friday, June 5th, 2009
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“Coldplay” and “free” in a sentence, huh?… British band Coldplay have announced that they will be giving a free live album to fans who will be attending their “Viva La Vida” summer tour. The album LeftRightLeftRight will be a 9-track collection of recordings from different cities over time, and will also be available for download beginning May 15 (the start of their tour). “Playing live is what we love,” said Coldplay in a statement. “This album is a thank you to our fans – the people who give us a reason to do it and make it happen.”

What about “John Legend’ and “eco-friendly?”… John Legend is putting out a more believable offer by teaming up with REVERB, a nonprofit environmental organization, to make his “Evolver” tour as green as possible. According to Billboard, this includes “coordination with venues and local caterers to ensure and facilitate the use of green products and practices, along with neutralizing CO2 emissions from venue energy use, hotels, flights and touring vehicle.”  Last month, Legend topped Billboard’s Green 10 list for his increased efforts on behalf of various environmental causes. Go ‘head, Johnny!

De La Soul is “just doing it” … Rap trio De La Soul is teaming up with Apple and the NIKE+ campaign to produce a 45-minute track made for runners to jam to. “We’d worked with Nike before, designing kicks and playing some of their marathons,” says Kelvin Mercer, aka Posdnuos. “We were excited when they approached us because we’re the first actual band to do one of these tracks.” This is the first time the rappers have made new music in five years. De La Soul are planning tours of Australia, Europe, and the UK and will be working on a new full-length album this year.

The Journey of the Journalist: Part 1: Why is saving journalism not enough?

Friday, June 5th, 2009

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I’ve been a journalist for 20 years– through full-time jobs at Newsweek, MTV, CNN, ABC, Oxygen, and NPR; part-time ones at One Economy, KALW, and WNYC; the founding and (ongoing) rebuilding of PopandPolitics.com; and three non-fiction books on race, politics, and media. I’ve rolled with the punches and thrown a few. But now more than ever, the business that I entered at the age of sixteen, with my first national publication, is, well, in a hell of hurt. Many of my highly skilled friends who report, edit, or run newsrooms are unemployed, underemployed, or just plain scared.

I say this to set the table for a series of blog pots/musings. I’m a practitioner of journalism; a consumer of journalism; a critic… sometimes a journalism educator; sometimes an entrepreneur. I’m worried, and not just for myself. (I would be lying if I said I don’t have many jobs and opportunities; and disingenuous if I said I was calm.)

Lots of people are worried about the fate of reporting and media in America. Organizations are going bankrupt or out of business, including scores of America’s daily newspapers. Tens of thousands of journalists are being given their walking papers and finding they cannot re-enter the industry. We have created ways that entirely new forms of media can upend “old media,” but that digital victory is without a clear profit model. Yes, in the short term, media is the crushed anthill: damage, death, panic, rushing disorder. But I believe that journalists, like our smaller, more resilient, and far more numerous insect cousins, are prone and programmed to rebuild.

Rebuilding is great. But is it enough? What if we put the profit back in media? What if you can build new media empires that make the owners rich or the foundation heads lauded; the employees comfortable; and the consumers reasonably satisfied? What then? Do we in the business breathe with relief, pay off our credit card bills, and settle in for another round of who-gets-the-corner-office? We’re worried about the means and the method of rebuilding media. But judging from my personal on- and off- the record discussions with for- and non-profit media businesses, as well as interactions at an endless numbers of “whither this/whither that” panels and conferences (and looking at the demographics of who’s in the room)… we’re not ready to face our biggest demon. That demon is exclusion: the way many Americans are cut out of media production and consumption, and the way many of us in the business are sanguine about it.

We in the media are not “the people,” nor do we represent them as fully as we often claim to. “Citizen journalism,” as we now call it, may be valuable and produced by non-traditional journalists. But most of the people who create it are still more educated, more technologically skilled, and more likely to be white than the demographics of the overall U.S. population. (By and large, “citizen journalists” are also less skilled at tasks like investigative reporting and historical research than traditional journalists.)

When forty percent of Americans are of limited literacy, let alone whatever digital divide still remains, then we have a much bigger problem than trying to build innovative blog rings, aggregators, local news sites or content engines. When the ranks of non-white journalists, already limited, are falling faster in the era of cutbacks than they were before–we have a problem. When organizations question the objectivity of people who fall outside of institutional norms… in some newsrooms, say, gays and lesbians; in others, Southerners or rural people … but they DON’T question the means and motives of people who fit the majority: that is a problem. When the journalism organizations designed to champion diversity have drawn so many checks from corporations that they cannot afford to challenge business owners… or only realize too late (once the checks are gone) that they should be… that too is a problem.

We are only as good as our willingness to change. And while the journalism industry is willing to rebuild itself, I am not convinced we’re challenging ourselves to provide an ethical context around reporting on a diverse society in transition.

Recently I met in a newsroom with a younger journalist who said: “It’s ridiculous that the newsroom is this white in a city this diverse.”

I shrugged and nodded. It wasn’t a “you’re wrong” shrug and nod. It was more a “yeah, been there, done that, wrote the book, fought the layoff, got my butt whipped, still standing, what did you expect?” gesture. The reality is, I didn’t want to talk about it because I didn’t have anything to say that would have inspired this person.

Now, after much reflection, I do. I say to myself as much as to anyone else in media: “Keep fighting for your ideals… if you don’t win, you will at least know why you are in the game.” I believe good journalism usually comes from a mix of vocation, or personal calling, and avocation– the latter in the sense of having a “day job” rather than having a hobby. Most successful journalists I know are, as one college student who recently interviewed me put it, “hustlers”– people whose mix of skill, institutional memory, luck, and self-promotional tendencies make them formidable at staying in the game.

Most of us will have not just several jobs but several careers in our lifetime. I don’t count on being a working journalist forever. (No, I’m not planning to leave the profession any time soon.) I believe journalism has changed me, mainly but not always the land before time ii the great valley adventure dvd for the better. I will always have the eyes and ears of a journalist, which is a valuable skill but sometimes puts me in an alienating social position.

This series of blog columns, “The Journey of the Journalist,” is my attempt to think and write at the same time. It’s not a finished product in the same sense a magazine article or television piece is, but rather a data point for a conversation. My motivation is to share some of my journey and simultaneously record and reflect on it; to share and to learn; to listen and learn from others.

I don’t know what form this will ultimately take, but I’ve set off the journey.

See you on the road.

Peace,
Farai

@faraichideya
www.faraichideya.com