the daily feed

“Black in America 2″ Features Cicely Tyson, John Legend

Tuesday, July 21st, 2009

johnlegend

How did John Legend get his singing name? What does Cicely Tyson think about the career choices she’s made? Get the answers to these questions and more on CNN’s “Black in America 2″ that’s scheduled to air June 22 and 23 at 8 P.M. (ET).

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If you miss the shows, or wanna get a preview of what Tyson and Legend will be talking about with host Soledad O’Brien, check out these Cicely Tyson and John Legend clips. голова болит секс

From health to education, CNN’s “Black in America 2″ investigates some of the most significant and challenging issues facing African-Americans. In the series, O’Brien talks to emerging leaders, innovative community programs and business ventures addressing the most persistent and pressing issues and disparities facing African-Americans.

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My Michael Jackson Mixtape

Sunday, July 19th, 2009

Cassette Tape flickr user 622 (cc: by-nc-nd)

Here’s an audio/video mixtape from some of the best MJ mixes I’ve heard recently. How many times can we say “RIP Michael?!”

SIDE A : The MJ Warm Up

Track 1. Come On Come On Come On/Lemme Show You What It’s All About: Love the five-part Minding Michael podcast series from Qool DJ Marv Aural Memoirs & da Buttamilk Archives. Featuring the MJ hits I had forgotten along with those beloved pop standards, this podcast is not to be missed. My favorites are Part One, “A Good Time,” for its melancholy, and Part Three, “Grab Your Belt Buckle/Music’s Taking Over” for the disco hits that make you move even when you’re sitting down. “Roughly 75 percent of these songs, I’ve never played in public,” Qool DJ Marv wrote about Minding Michael. “This is my translation of Michael as a fan and DJ, as a boy who grew up with stronger together black family vibes and Black is Beautiful all up in my head, and as a man who still embraces that exuberant idealism by perpetuating it and sustaining it through the magic of the music in the mix.” (Ranging from 47 mins. to over an hour long)

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Media Critic, “Heel” Thyself: Why Washpost/CNN’s Howard Kurtz Can’t Look at the Man in the Mirror

Sunday, July 5th, 2009

Michelle Obama

Uber-media critic Howard Kurtz has gotten it coming and going in the past month. First, CNN got lambasted for mis-covering the Iran election and protests. In an age where Twitter is fetishized, a hashtag (or searchable ID) called #CNNFail became all the rage.

This article on MediaBistro links to video of Kurtz’ own coverage of Twitter. Despite calls to mention #CNNFail in his Washington Post Column, Kurtz didn’t…so NYU professor and media critic Jay Rosen led a charge to make Kurtz accountable. As a media critic, mind you, Kurtz’ entire conceit is give-no-favor journalism.

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Michael Jackson and the American Imagination

Friday, June 26th, 2009

Just months after our President proved that you can be born black in America and achieve the highest heights, the life of Michael Jackson offers a very different narrative: he is someone whose cultural legacy shaped his success, but did not provide a path to inner peace.

Michael Jackson seemed crushed under a weight of identity: black/man/star/brother/father/son. Add philanthropist/media-victim and -manipulator/accused pederast/primate owner/fashionista and dancer. Owner of, and now perhaps a returnee to, Neverland.

Back in 2003, I wrote a piece asking what happened to the brownskinned boy who stole my heart and those of girls my age across the world. Why did he shed his color, and the sincerity of his smile?

As people gathered today on Twitter to share stories, sift the real news from the fake, and mourn, I saw reporter Lisa Ling post, “RIP Michael Jackson, My First Boyfriend.” I felt the same way. It wasn’t just a childhood crush. Over time, I felt like I was one of millions of people who wanted Michael Jackson to succeed. MTV at first refused to play his videos because black artists, no matter how successful, didn’t fit their idea of their format. Of course Michael, with the help of Quincy Jones, went on to become the King of Pop and the king of music video.
In the intro to Thriller, Michael says “I’m not like other guys” and “I’m different”… and then proceeds to transmogrify into a werewolf.

Pop cult from “Twilight” to “Harry Potter” has taken feelings of alienation and packaged them for wide consumption. Michael was one of the first masters of our modern era to do that well.

But what he could not seem to do is seize control of his own transformation and find his own center as a man, not just a creator. After all, the trope of successful transformation is that the hero becomes something else, but can return to his or her human emotions if not human form.

John Landis, the director of “Thriller,” has called Jackson a “tragic figure.” And that brings me, personally, back to race. Race added a very specific prism to the failed transformation of Michael Jackson. His plastic surgery bordered on pathology and racial caricature. His need for the spotlight brought him, arguably, into clashes with both the law and public opinion. I am thinking specifically of the charges of his treatment of children… others’, and his own.

Would he have felt freer to pursue his own alternative identity if we had not also wanted him to be what he could not seem to be… an adult black man who provided fodder for the fantasies we cherished when he was a child?

In the prelude to the Thriller video, Michael Jackson speaks to the black, bobbysox-wearing girl who is his love interest and says, “You know I like you… And I hope you like me the way I like you.” Sigh.

We always loved you, Michael. I hope you found peace in just being you, whoever you were, and despite what we all wanted you to be.

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Farai Chideya’s new novel Kiss the Sky, is about a black rock star struggling with fame. She is the founder of PopandPolitics.com.

This article is also cross-posted on The Grio.

An Open Letter to Michael Jackson (2003)

Thursday, June 25th, 2009

I wrote this half a decade ago…. please see the companion piece on “Michael Jackson and the American Imagination.”

Thinking,
Hoping the best for his family,
F
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You were my first. Back when the other kids were swaying to nursery rhymes, I wanted to rock with you. I had everything I needed — a portable stereo and an album of you singing with the Jackson Five. According to my mother, I would drag around my little stereo, and I would put you on, and I would dance. Nothing else in the world could have made me happier.

I remember you. Your lips were full and your nose was wide and your face was brown. This only rates mentioning because it is no longer true, so untrue, in fact, that sometimes I wonder if I imagined you as you once were. I’m sure at night, as a child, I dreamed of the boy with the afro who sang and spun on his heels like a miniature James Brown.

I wish that boy had become a man. That wish seemed reasonable all the way through “Off the Wall,” when your nose grew narrower and hair more lank, but you were still visibly black. With every subsequent album your relationship to your original appearance grew fainter and fainter, until you were no longer even an echo of yourself. But the further you fled from black masculinity, the more international crowds lionized you. Today you are a grotesque.

And an alleged child molester — that too? If we can believe what we see in the camera lens — that this pale alien being (recently parodied in “Scary Movie 3″) was once cute little Michael — then we can believe anything. The danger for us is that we will judge you by your appearance. The danger for you is that you have set up a situation, with your reckless behavior around your own children and others’, that we cannot help but judge.

In his book The Hip Hop Generation,” Bakari Kitwana relentlessly outlines America’s broken promise to black males. Mandatory minimum sentencing guidelines and unbalanced enforcement of drug laws have helped make prison a waystation or home for many more black men than white. In Los Angeles and Cincinnati, frustrated youth up-end their own neighborhoods to draw attention to police brutality. The global economy undermines the fortunes of lower-skilled workers, many of them African-Americans. The military, in many cases, remains the only way out.

This social warfare has hardened many black men, aiding and abetting the culture of hypermasculinity that permeates hip hop. It’s hard to be a sister and be down with the bitch/’ho lyrics, hard to be down with men who spout rhymes full of anti-female fury. Commercial hip hop may appeal to young women who can pretend that the men are calling out someone else, but to an older head like myself it sounds as if they are speaking my name. I cannot listen to it. I cannot dance.

But I long to take the floor with the same childish glee that I did when you and I were together. I desperately want you to be there for me, to reassure me that things aren’t so bad that the primary options open to black men are hatred of black women or physical and mental disintegration. I would like to think that you, the shadow Michael who never had a chance to grow up, wouldn’t treat me the way those other men do. But I’m the furthest thing from your mind.

In your absence, the absence of a Michael I can relate to, I have only questions. Why does America destroy and pervert black men? Were you squeezed between racism and perfectionism until your very soul compressed? And what about those without your millions of dollars? What options are left for them?

I feel — and I know it cannot be true, for I still breathe — that if you cannot exist, I cannot exist. If there is no room for a loving black masculinity in the world, I fear there is little room for the black feminine as well. You, Michael Jackson, are not all black men, and for that I am grateful. But your decline says more about America than we can bear to hear.

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Farai Chideya’s new novel Kiss the Sky, is about a black rock star struggling with fame. She is the founder of PopandPolitics.com.
This was posted on Alternet.org on November 26, 2003.