hip hop

BREAKING: Gov’t Buyout, AIG, & Obama’s “Brand Black”

Wednesday, March 18th, 2009

Obama 2008

WOW.

Things are moving even faster than I thought in the re-ordering of the American economy. It’s four PM on Wednesday 3/18/09. Although many people don’t know or don’t yet understand, the link between government and finances has been totally changed.

Yes, we had AIG (see below), and the foreclosures.

But now… check this…. the U.S. government is buying a TRILLION DOLLARS in mortgaged backed securities in order to create instant liquidity in the markets (read: cash you can borrow to buy a home or a market.) I never thought the hip hop chant to “make money money, make money money mon-EEE” would become so literal.

Yes, I am a news geek; and a politics geek; and I am astounded. I linked from the NYT to this handy dandy URL you can share with your friends. tinyurl.com/USmakes-fakes-Money.

I wrote the article below earlier this morning. Already it seems dated. But bear with me as I breathe.

F

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I’ve been guesting on WNYC’s syndicated morning show The Takeaway with John Hockenberry. (Adaora Udoji is on maternity leave.) We’ve been talking a lot about branding. Some folks told us about the brands they missed (“Bit ‘o Honey” and the “Reggiebar” candy bars each got a vote).

Other folks talked about what they would rename/rebrand “too big to fail/too small-minded to give up the multimillion dollar bonuses” insurer AIG as…

Amigos in Gold

Amateurs Implementing Guile

Anti Inflammatory Geeks

A**holes Invoking God

As If God

Appalling In Greed

(And that’s just from the journalists!)

Listeners wrote, among others:

Absolutely Insufferable Greed

Angry Investor Gross

But let me take a turn here.

Yesterday, I was invited to address the US Mission to the United Nations, now led by Ambassador Susan Rice. I was part of a panel that examined how and why then-Senator Obama won the Presidency; and what lay ahead. I spoke about Brand Black, or blackness as a mature political brand, just as hip hop is now a mature media brand. Every product/entity/person who wants market share starts out in the experimental, spaghetti against the wall.

Of all the people who start blogs, relatively few keep it up and even fewer find a longterm audience. If they do find an audience—not just bloggers but political candidates, preachers, musicians, etc.—then they enter the brand-building phase. They try to bring on a core constituency first, then expand that constituency. For hip hop, the core constituency was urban blacks/Latinos, adding graf artists, b-boys and b-girls, streetcorner wisemen…. and then multicultural urban youth… and then multicultural global youth. As hip hop has become a mature brand, you see stars like Ice Cube and Queen Latifah moving into mainstream family-oriented film; P. Diddy and Russell Simmons crossing onto Broadway; Simmons into philanthropy and spirituality; and Jay Z into the economic CEO/Beyonceed celebrosphere. My argument in the speech, which I will elide, concerned the use of hip hop as a feedback loop that helped make blackness a culturally mature brand that had political capital.

Since this is a blog post and not a dissertation, peep this:

First, check out Jay Z solo.

Then, Obama on the stump.

Then the remix:

When Obama first made the gesture, it split the world into three camps: people who thought he actually had dirt on his shoulder (maybe three people or less worldwide); people who got the intent of the gesture (back up off this; you don’t matter); and people who got the specific reference to hip hop and the 2003 hit by Jay Z.

The use of hip hop signifiers and metaphors, as well as support from the hip hop community, really drove the Obama campaign at first. The hip hop generation (or at this point, really two generations) were the “early adopters” of Brand Obama. The Civil Rights generation were later adopters of Brand Obama. And Brand Obama stood on…. the shoulders of the Civil Rights generation, who took blackness from an exiled/discredited “brand” among anti-integrationist whites to a nearly-mature brand that lacked one thing… the sense that a black man could be president.

I didn’t know that Obama would win. No one did. But Obama used hip hop to leverage early youth support, which in turn built numbers for what political scientist William Jelani Cobb of Spelman calls “The Black History Month Massacre” (Obama winning 10 Dem primaries and caucuses in a row), which in turn helped justify Civil Rights generation political figures/superdelegates like John Lewis switching their allegiance from Sen. Clinton to Sen. Obama.

In the end, Brand Obama leveraged hip hop to take the White House… a final signal that “Brand Black” is mature and thriving. What happens next? I don’t know. But I’m eager to see, hear, and write more, especially now that politics has a soundtrack.

Mic Check: Music in Politics, a Panel Discussion

Wednesday, October 22nd, 2008


(Left to right: General Jeff, Gigio, Laura Ferreiro, Jody Armour, Maria Armoudian, Josh Kun)

If it isn’t politics alone that’s mobilizing the masses, it’s music and politics. From Public Enemy’s early days of urging us to “fight the power,” to Kanye West’s candid blurb about Bush not caring about black people, there is no doubt that politics has found its place among musicians.

Or, have musicians found their place in politics?

This was the topic Tuesday at a panel discussion, “Mic Check: Music in Politics,” hosted by the Annenberg Latino Student Association. The impressive lineup, including USC professor Josh Kun with guests General Jeff (who’s not new to P+P) and NME Senior Reporter Laura Ferreiro, discussed the change of political music over time, and how corporate influence, artists’ greed, and consumers have suppressed powerful messages in music.

(more…)

Lil Wayne: King of the BET Hip Hop Awards Show

Tuesday, October 21st, 2008

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The BET Hip Hop Awards on Saturday could have been called Mr. Weezy’s Hip Hop Awards because the rapper Lil Wayne stole the evening. Nominated for 12 awards, Lil Wayne picked up Lyricist of the Year, MVP of the Year and People’s Champ, with the help of his hits, “A Milli,” “Lollipop,” “Got Money” and his recent single “Mrs. Officer.”

“These awards have been wonderful, especially when they call my name,” Wayne told MTV News. “That’s the best part about them. Twelve nominations—I think the only categories I’m not in are the female categories.”

Although the numerous awards may make his accomplishments seem easy, Lil Wayne beat out T-Pain (who he collaborated with on “Got Money”, DJ Khaled, T.I., Kanye West and Jay-Z for MVP.

And Weezy F. Baby, the rapper from the 17th Ward in New Orleans, announced he is expecting another son in “a couple of days” during his Lyricist of the Year award acceptance. Quite the family man, MTV reported that he dedicated the MVP award to his daughter.

According to all accounts, the show was full of surprises like T-Pain replacing comedian Katt Williams as host. And there were numerous performances by hip hop greats like T.I., Ludacris, Nas and Young Jeezy. The women also got into the mix. In an old school tribute, female rap icons, MC Lyte, Yo-Yo, the Lady of Rage and Salt-N-Pepa, whose 1993 classic “Whatta Man” song was dedicated to presidential candidate Barack Obama.

The show was pre-recorded last Saturday at the Boisfeuillet Jones Atlanta Civic Center but will air this Thursday, October 23 on BET. So, check out the show to find out the other big winners.

If you don’t know the song, “Lollipop,” what’s below is for you!

watch?v=740d8sTpM7U

Music Box: Lupe Fiasco Previews Track on Rumored “LupEND” LP

Tuesday, September 9th, 2008

Lupe Fiasco gave Indiana University a taste of a rough track for his next album. Rumors have been wildy circulating about Lupe’s plans to retire within the next year. He claims that his next album, titled “LupEND”, will be his last.

Don’t go, Mr. Fiasco. The last thing we need is another real emcee to leave us with a bunch of monotonous robots that most people call “rappers” today.

Music Box: Del Releases Leak Pack Vol. 1

Sunday, September 7th, 2008

Bay Area rapper Del the Funky Homosapien has released the first in a series of forthcoming “leak EPs”.

The Hieroglyphics member and Dan the Automator collaborator has been in the rap game for 17 years, so you know he has some oldie-but-goodie rarities. Other featured rappers on the leak are Bukue One, Tame One, and Chip Fu.

Kick back and download Del’s Leak Pack Vol. 1 here.