new orleans

Ninth Ward Godot

Wednesday, November 28th, 2007

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I hope someone filmed the productions of Waiting for Godot director Paul Chan put on earlier this month in the open air of New Orleans. Wendell “Bunk” Pierce as Vladimir and J Kyle Manzay as Estragon, holding forth while waiting for that which will never come amid the slumped houses, skeleton trees, post-Katrina emptiness of the Ninth Ward had to be a pop-political event that should be available to cable and iTunes viewers everywhere.

Here’s Chan on why Godot and the Ninth Ward: “The sense of waiting is legion here. People are waiting to come home. Waiting for the levee board to OK them to rebuild. Waiting for Road Home money. Waiting for honest construction crews that won’t rip them off. Waiting for phone and electric companies. What do people do while they wait? They banter and entertain and it’s a form of keeping hope alive…”

Pierce says the location in this case really was the play. In fact, the theater company reportedly reserved seats for the performance for President Bush, Governor Blanco and FEMA officials—all of those they call the “Godots of New Orleans.”

Read more about the production at NPR and an excerpt from the play after the jump.

(more…)

I ♥ new orleans

Thursday, August 30th, 2007

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Mr. Dilbert: They said they couldn’t insure my house. I got nothing. It’s hurricane season again and I’m living in a FEMA trailer with my sick wife!

The New Orleans: Labor of Love project is a grassroots public-awareness campaign that’s working to get volunteers down to New Orleans to help rebuild homes in the worst-hit areas of the city. The voice of the project, founder and director Katina Parker, started by making a documentary about eighteen students from Los Angeles who volunteered last year. Segments of the documentary will air this month at the organization website.

kparker1.jpg“Initially there was day-long coverage of [the Katrina disaster], reporters breaking down reporting the dire situation. That coverage dwindled to FEMA’s blunders, corruption, crime. That doesn’t move people to act. People think it’s too complicated to get involved,” Parker recently told Louisiana writer and blogger Nordette Adams.

Labor of Love has so far raised more than $18,000 in donations and is sponsored by the International Humanities Center, which supports projects “devoted to a vision of ecological and humanitarian stewardship that benefits all creation.” How do you say no to that?

C’est bon, that genuine plantation rice!

Tuesday, July 24th, 2007

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Longtime New Orleans resident and writer and film director and general production guy Jim Gabour has been writing for the British site Open Democracy for a few years, usually about life in his hometown post-Katrina.

His most-recent post is a gem of a report from the set of an Uncle Ben’s Rice commercial filmed by a British director for European consumers. Gabour was working in production for the shoot, overseeing the lighting and sound and so on. The series of commercials they’re filming, he reports, is of course one huge stereotype machine—of African Americans, of the south, of the States, of New Orleans—and all of it conjured to give the illusion of authenticity, to make Uncle Ben’s products seem like real-thing original-item wholesome Creole cooking!

“This commercial would only air in Europe. The account executives were already auditioning females back at the hotel, looking for the proper accent. Something cruder was needed, they thought. Rougher. Something unrefined. Like America. Like New Orleans…”

Former FEMA director Mike Brown says Bush told him to lie…

Friday, September 1st, 2006

Mike Brown took the blame for the government’s lack of action during Hurricane Katrina last year, and was removed from his position as FEMA director. Bush’s old buddy Brownie is now saying he was a scapegoat and Bush told him to lie:

O‘DONNELL: So let me get this clear. Someone in the White House was telling you to lie?

BROWN: Well, yes. They give you the talking points. Whenever you go out to do any interviews they always have the talking points. Here‘s what the message for today is and here‘s how we are going to spin everything. That‘s just the way Washington, D.C. works and that‘s just wrong.

Read the full transcript from his interview on Hardball (you gotta scroll down to the bottom to find it, sorry).

the water

Friday, August 25th, 2006
Slate magazine today posted a collection of Katrina memoirs written by four students from Walker Charter High School in New Orleans. The teenagers and their families rode out the storm but were evacuated later after the floodwaters overtook their neighborhoods. Here’s a sample from Vickey Brown, 17:

I ran all the way home. I was yelling to my grandma, “We going to die, the water is flowing up the street and it looks like it is getting higher.” I began to cry.

“Well what can I do? Won’t you stop crying? It’s going to be OK,” my grandma replied. I was scared for my life.

Then my mom stormed in the door.

“Get only two outfits and some shoes,” my mama said in a scared voice.

“Mama, I don’t want to leave my grandma,” I said, crying.

“She can come too, I don’t want to leave her here either.”

So I went to my grandma’s room to ask her would she go with me. I got on my knees besides her and asked, “Grandma, come with us please, I don’t want to leave you here without me.”

“Girl, just go with ya mama, you hear me, now go on.”

My mom tried to convince her to go, too, but my grandma wouldn’t budge. Deep in my mind I was wondering what would happen to my grandma if I were to leave her. It hurt me to my heart to leave her, but I was too scared to stay.

As we passed the bridge on Claiborne and Earhart Boulevard we saw a dead man lying at the foot of the curb with a white sheet over his body. I looked at him with amazement because I had never seen a dead body before.