It’s really bad when the state of humanity hinges on a bunch of pseudo-sadomasochists parading around as costumed heroes who haphazardly decide to save the world for mere kicks and giggles. This is the twisted sense of humor and entire point of the mystery adventure Watchman.
This 2009 American superhero film is based on DC Comics’ award-winning, limited series graphic novel (1986-1987) illustrated by Dave Gibbons. Zack Snyder, who is famous for the adaptation of the 300 graphic novel, directed the movie. And Lawrence Gordon (Die Hard), Lloyd Levin (United 93) and Deborah Snyder (300) had a hand in producing it. However, viewers should not expect the same level of cinematic beauty or the type of compelling storytelling in Watchmen that Snyder showed us was possible in 300. Instead, the long and needlessly drawn out film, which lasts a restless two hours and 43 minutes, has the audience wishing for their own superhero powers to teleport themselves out of the theater.
Watchmen begins in the year of 1985, and tells the tale of a group of former vigilantes who used to dress up as superheroes. Although the somewhat-counterfeit crime fighters have “retired,” a couple of them decide to pay attention to the nuclear threat (read: end of world scenario) and tension between the United States and Russia.
The stakes are high but the audience’s investment in the protagonists or their success is relatively low. This weak story drags on for a full hour and forty minutes and consists of confession after confession from weary and depressed individuals who must decide if they are really going to solve the weak mystery, which is somehow connected to the complete obliteration of mankind (for the remaining hour).
And here is where this artificial set of superheroes is exposed. Aren’t most superheroes like Superman concerned with unnecessary violence and killing people? Don’t most champions of justice risk their lives to save others and humanity? And don’t all superheroes have a special power or two that us mere mortals could only dream of?
On these accounts, viewers could legitimately question whether the movie had any bonafide superheroes at all. The protagonists, with the exception of the neon blue Dr. Manhattan, actually lacked any “real” or perceived super powers. Manhattan (Billy Crudup) can see into the future and teleport himself all over the universe after a science lab mistake. Next to him, the other hero hopefuls are pretty laughable. Heck, all they want to do is fight for fun and stave off boredom.
And speaking of characters, there were only a few that are truly memorable. There is the demented and bloodthirsty Rorschach (Jackie Earle Haley), whose street name was Walter Kovacs. Although his journal accounts provide the framework for the story, the inkblot masked Rorschach’s killing scenes will make the audience wonder if the film was written or produced by Quentin Tarantino.
And then there’s Laurie Jupiter (Malin Akerman), whose action hero’s name is Silk Spectre II. She had only one power—her drop dead gorgeous looks that captured the attention of her fellow superheroes. Other than a decent left hook and a swift kick, she disappointed the audience who expected a more Wonder Woman-like performance due to their close resemblance achieved through casting, makeup and wardrobe.
The rest of the major quasi-vigilantes—The Comedian (Jeffrey Dean Morgan) known for his “Life is a joke” attitude, peace at all deadly costs Oxymandias (Matthew Goode), and pushover turned wannabe Superman, Nite Owl II (Patrick Wilson)—leave the role of hero as a lot to be desired.
And for the parents and children expecting a Batman or Spiderman type film, please be aware—this movie is not for anyone under seventeen. In addition to the constant nudity of Dr. Manhattan, there are gratuitous sex scenes that weren’t worth actress Malin Akerman even baring her breast. And more importantly, the violence depicted in scene after scene was extremely bloody, gross and overdone—enough to make a grown man cover his eyes.
And as you may have guessed, the movie begins and ends with violence and death depicted in a realistic manner unlike its comic book beginnings. This is a film that could easily create nightmares for children and adults alike.
Thus, the only characteristic Watchmen smiley face this movie deserves is one that is turned completely upside-down and covered with the blood of its own fake super heroes. Like the main theme of the Watchmen: “Life’s a joke,” clearly this movie was too.
